{"id":13682,"date":"2024-07-03T15:12:04","date_gmt":"2024-07-03T13:12:04","guid":{"rendered":"https:\/\/maximaloc.com\/produit\/kit-captation-2x-sony-fx6\/"},"modified":"2026-10-13T12:15:21","modified_gmt":"2026-10-13T10:15:21","slug":"kit-captation-sony-fx6","status":"publish","type":"product","link":"https:\/\/maximaloc.com\/en\/product\/kit-captation-sony-fx6\/","title":{"rendered":"KIT CAPTATION SONY FX6"},"content":{"rendered":"<p><strong>Location kit captation 2 cam\u00e9ras Sony FX6 \u00e0 Paris \u2013 Full Frame 4K 120p | Maximaloc<\/strong><\/p>\n<p>Le kit captation 2 cam\u00e9ras Sony FX6 est la configuration bicam\u00e9ra de r\u00e9f\u00e9rence : un axe large, un axe serr\u00e9, deux bo\u00eetiers strictement identiques. Disponible en location chez Maximaloc, il arrive mont\u00e9, test\u00e9 et synchronisable.<\/p>\n<p>Deux Sony FX6 partagent le m\u00eame capteur, le m\u00eame profil colorim\u00e9trique et le m\u00eame zoom motoris\u00e9 : aucun raccord d&#8217;image \u00e0 retravailler au montage, et un op\u00e9rateur peut g\u00e9rer les deux axes.<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Captation : performances de r\u00e9f\u00e9rence<\/strong><\/u><\/p>\n<p>Deux cam\u00e9ras Full Frame en 4K, un m\u00eame S-Cinetone, un m\u00eame timecode : le montage bicam\u00e9ra se fait sans compromis d&#8217;image ni resynchronisation manuelle.<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Cam\u00e9ras et optiques<\/strong><\/u><\/p>\n<p>2\u00d7 Sony FX6 \u2013 capteur Exmor R CMOS Full Frame, 10,2 MP effectifs<\/p>\n<p>4K DCI jusqu&#8217;\u00e0 60p et 4K UHD jusqu&#8217;\u00e0 120p en XAVC-I 4:2:2 10 bit<\/p>\n<p>Ralenti HD jusqu&#8217;\u00e0 240p<\/p>\n<p>Zooms motoris\u00e9s Sony FE PZ 28-135 mm F4 G OSS \u2013 ouverture constante et bagues 0,8 MOD<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Sensibilit\u00e9 et latitude<\/strong><\/u><\/p>\n<p>Double base ISO 800 et 12 800 \u2013 captation en salle sombre sans mont\u00e9e de bruit<\/p>\n<p>Plus de 15 diaphragmes de latitude en S-Log3, S-Cinetone pour une livraison sans \u00e9talonnage<\/p>\n<p>ND \u00e9lectronique variable de 1\/4 \u00e0 1\/128, pilotable en automatique<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Autofocus<\/strong><\/u><\/p>\n<p>627 points \u00e0 d\u00e9tection de phase avec d\u00e9tection de visage et Eye-AF<\/p>\n<p>Suivi fiable sur un axe laiss\u00e9 sans op\u00e9rateur pendant la captation<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Synchronisation<\/strong><\/u><\/p>\n<p>Timecode In\/Out sur BNC sur chaque bo\u00eetier<\/p>\n<p>Jam sync avant tournage pour un d\u00e9rushage align\u00e9<\/p>\n<p>Cartes m\u00e9moire fournies pour 2 h 30 d&#8217;enregistrement 4K par cam\u00e9ra<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Son<\/strong><\/u><\/p>\n<p>2\u00d7 R\u00f8de NTG4 \u2013 canon supercardio\u00efde, bruit propre 16 dBA, SPL max 135 dB<\/p>\n<p>Filtre coupe-bas 75 Hz, att\u00e9nuateur, 10 dB et boost haute fr\u00e9quence +6 dB commutables<\/p>\n<p>2 entr\u00e9es XLR avec alimentation fant\u00f4me 48 V par bo\u00eetier<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Supports et alimentation<\/strong><\/u><\/p>\n<p>2\u00d7 Sachtler FSB 4, 5 crans de contrebalancement, 3 crans de fluidit\u00e9<\/p>\n<p>4 batteries BP-U et 2 alimentations secteur pour une captation longue dur\u00e9e<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Limites \u00e0 conna\u00eetre<\/strong><\/u><\/p>\n<p>Le kit ne comprend ni m\u00e9langeur vid\u00e9o, ni retour r\u00e9alisateur, ni intercom : \u00e0 ajouter d\u00e8s qu&#8217;il y a une r\u00e9gie.<\/p>\n<p>Deux axes couvrent un plateau ou une interview, pas un concert ni une assembl\u00e9e g\u00e9n\u00e9rale : au-del\u00e0, passer sur un kit \u00e0 quatre axes ou plus.<\/p>\n<p>Une captation de plus de 2 h 30 par cam\u00e9ra demande des cartes suppl\u00e9mentaires.<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Ergonomie et usages<\/strong><\/u><\/p>\n<p>Compact et homog\u00e8ne, le kit captation 2 cam\u00e9ras Sony FX6 est adapt\u00e9 \u00e0 :<\/p>\n<p>Interview et table ronde \u00e0 deux axes<\/p>\n<p>Corporate, t\u00e9moignage et film institutionnel<\/p>\n<p>Conf\u00e9rence en salle de taille moyenne<\/p>\n<p>Captation de formation et de webinaire<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Post-production<\/strong><\/u><\/p>\n<p>Les fichiers XAVC-I 10 bit des deux bo\u00eetiers se synchronisent automatiquement par timecode dans Premiere Pro, DaVinci Resolve et Final Cut Pro, et le S-Cinetone se monte sans \u00e9tape d&#8217;\u00e9talonnage.<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>\u00c9quipements<\/strong><\/u><\/p>\n<ul>\n<li>M\u00e9langeur vid\u00e9o Blackmagic ATEM<\/li>\n<li>Kit r\u00e9alisateur Teradek Bolt + SmallHD<\/li>\n<li>Kit intercom Eartec<\/li>\n<li>Cartes CFexpress Type A suppl\u00e9mentaires<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><u><strong>Points forts<\/strong><\/u><\/p>\n<ul>\n<li>Deux bo\u00eetiers identiques \u2013 aucun raccord colorim\u00e9trique \u00e0 faire au montage<\/li>\n<li>Double base ISO 800 \/ 12 800 \u2013 captation en lumi\u00e8re de salle sans grain<\/li>\n<li>ND \u00e9lectronique variable \u2013 exposition ma\u00eetris\u00e9e sans tiroir \u00e0 filtres<\/li>\n<li>Zooms motoris\u00e9s 28-135 mm \u2013 recadrage \u00e0 distance sur l&#8217;axe fixe<\/li>\n<li>Timecode sur chaque axe \u2013 d\u00e9rushage bicam\u00e9ra imm\u00e9diat<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>Pourquoi louer le kit captation 2 cam\u00e9ras Sony FX6 chez Maximaloc ?<\/strong><\/p>\n<p>La location du kit captation 2 cam\u00e9ras Sony FX6 chez Maximaloc est disponible en ligne 24h\/24 et 7j\/7.<\/p>\n<p>Il se compl\u00e8te parfaitement avec un m\u00e9langeur ATEM, un kit intercom Eartec et un kit r\u00e9alisateur Teradek Bolt et SmallHD.<\/p>\n<p>C&#8217;est le choix id\u00e9al pour une interview ou un corporate qui doit \u00eatre livr\u00e9 mont\u00e9 sans reprise colorim\u00e9trique.<\/p>","protected":false},"excerpt":{"rendered":"<p>Configuration : 2 cam\u00e9ras Sony FX6 Full Frame\u00a0<\/p>\n<p>Vid\u00e9o : 4K DCI 60p et 4K UHD 120p<\/p>\n<p>Sensibilit\u00e9 : ISO 800 \/ 12 800\u00a0<\/p>\n<p>Complet : zooms motoris\u00e9s 28-135, Sachtler FSB 4, R\u00f8de NTG4<\/p>","protected":false},"featured_media":18824,"template":"","meta":[],"product_cat":[1349],"product_tag":[161,202,197,160,165,162,163,164,198,200,169,168,167,195,1396,1395,201],"class_list":{"0":"post-13682","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-sony-marque-kit-pret-a-tourner","7":"product_tag-422-10-bits","8":"product_tag-cameras","9":"product_tag-full-frame-24x36","10":"product_tag-420-8-bits","11":"product_tag-5k-60p","12":"product_tag-4k","13":"product_tag-4k-120p","14":"product_tag-4k-60p","15":"product_tag-full-hd","16":"product_tag-raw-externe","17":"product_tag-fhd-240p","18":"product_tag-fhd-180p","19":"product_tag-fhd-120p","20":"product_tag-avec-autofocus","21":"product_tag-captation-evenementiel","22":"product_tag-itw-corporate","23":"product_tag-sony-e","25":"first","26":"instock","27":"taxable","28":"shipping-taxable","29":"purchasable","30":"product-type-rentable"},"yoast_head":"<!-- This site is optimized 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