{"id":14874,"date":"2024-08-06T10:42:27","date_gmt":"2024-08-06T08:42:27","guid":{"rendered":"https:\/\/maximaloc.com\/produit\/kit-captation-sony-fx6-6x-cam\/"},"modified":"2026-10-13T12:15:34","modified_gmt":"2026-10-13T10:15:34","slug":"kit-captation-sony-fx6-6x-cam","status":"publish","type":"product","link":"https:\/\/maximaloc.com\/en\/product\/kit-captation-sony-fx6-6x-cam\/","title":{"rendered":"KIT CAPTATION SONY FX6 6x CAM"},"content":{"rendered":"<p><u><strong>Location kit captation 6 cam\u00e9ras Sony FX6 \u00e0 Paris \u2013 6 axes 4K timecod\u00e9s | Maximaloc<\/strong><\/u><\/p>\n<p>Le kit captation 6 cam\u00e9ras Sony FX6 couvre un \u00e9v\u00e9nement sur six axes simultan\u00e9s sans passer \u00e0 une r\u00e9gie lourde. Disponible en location chez Maximaloc, il arrive mont\u00e9, test\u00e9 et synchronisable sur un g\u00e9n\u00e9rateur de timecode.<\/p>\n<p>Trois Sony FX6 forment la base du dispositif, deux Sony FX9 tiennent les axes larges et une Sony FX3 assure l&#8217;axe serr\u00e9 ou embarqu\u00e9. Les six bo\u00eetiers partagent la colorim\u00e9trie S-Cinetone h\u00e9rit\u00e9e de la VENICE.<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Captation : performances de r\u00e9f\u00e9rence<\/strong><\/u><\/p>\n<p>Six axes Full Frame en 4K DCI, un profil d&#8217;image commun et un seul timecode : c&#8217;est la configuration qui couvre une conf\u00e9rence ou un concert de club sans angle mort.<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Cam\u00e9ras et optiques<\/strong><\/u><\/p>\n<p>3\u00d7 Sony FX6 \u2013 Full Frame 10,2 MP, AF \u00e0 627 points de d\u00e9tection de phase, ND \u00e9lectronique variable<\/p>\n<p>2\u00d7 Sony FX9 \u2013 capteur 6K sur\u00e9chantillonn\u00e9 vers 4K, HD jusqu&#8217;\u00e0 180 fps<\/p>\n<p>1\u00d7 Sony FX3 \u2013 bo\u00eetier compact de 640 g pour l&#8217;axe serr\u00e9 ou une position en hauteur<\/p>\n<p>Zooms motoris\u00e9s Sony FE PZ 28-135 mm F4 G OSS sur les FX6 et les FX9<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Synchronisation<\/strong><\/u><\/p>\n<p>Timecode In\/Out sur BNC pour les cinq bo\u00eetiers FX6 et FX9<\/p>\n<p>Jam sync avant tournage, d\u00e9rushage align\u00e9 sur les six axes<\/p>\n<p>Cartes m\u00e9moire fournies pour 2 h 30 d&#8217;enregistrement 4K par cam\u00e9ra<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Son<\/strong><\/u><\/p>\n<p>3\u00d7 R\u00f8de NTG4 \u2013 supercardio\u00efde, 126 g, filtre coupe-bas 75 Hz commutable<\/p>\n<p>2\u00d7 R\u00f8de NTG2 \u2013 appoint et ambiance, P48 ou pile AA<\/p>\n<p>1\u00d7 Sony XLR-K3M \u2013 deux entr\u00e9es XLR\/TRS avec alimentation 48 V pour la FX3<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>S<\/strong><strong>upports<\/strong><\/u><\/p>\n<p>2\u00d7 Sachtler FSB 4 Flowtech 75 \u2013 tr\u00e9pied carbone, d\u00e9ploiement par les trois clips sup\u00e9rieurs, charge 4 kg<\/p>\n<p>4\u00d7 Manfrotto 504X \u2013 t\u00eates fluide \u00e0 contrebalancement 4 crans, charge 12 kg<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Alimentation<\/strong><\/u><\/p>\n<p>10 batteries BP-U pour les FX6 et les FX9, 3 NP-FZ100 pour la FX3<\/p>\n<p>6 alimentations secteur, une par cam\u00e9ra<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Limites \u00e0 conna\u00eetre<\/strong><\/u><\/p>\n<p>Le kit ne comprend ni m\u00e9langeur vid\u00e9o, ni retour r\u00e9alisateur, ni intercom : \u00e0 ajouter selon la configuration de r\u00e9gie.<\/p>\n<p>Les Sachtler FSB 4 acceptent 4 kg de charge utile : un bo\u00eetier gr\u00e9\u00e9 avec matte box et follow focus doit passer sur un Manfrotto 504X, qui accepte 12 kg.<\/p>\n<p>Une captation de plus de 2 h 30 par cam\u00e9ra demande des cartes m\u00e9moire suppl\u00e9mentaires.<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Ergonomie et usages<\/strong><\/u><\/p>\n<p>Dimensionn\u00e9 pour la salle plut\u00f4t que pour la grande sc\u00e8ne, le <strong>kit captation 6 cam\u00e9ras Sony FX6<\/strong> est adapt\u00e9 \u00e0 :<\/p>\n<p>Conf\u00e9rence, keynote et lancement produit<\/p>\n<p>Concert en club et showcase<\/p>\n<p>Plateau d&#8217;\u00e9mission \u00e0 trois ou quatre invit\u00e9s<\/p>\n<p>Assembl\u00e9e g\u00e9n\u00e9rale et remise de prix<\/p>\n<p>\u00a0<\/p>\n<p><u><strong>Post-production<\/strong><\/u><\/p>\n<p>Le timecode commun aux bo\u00eetiers permet un multicam automatique dans Premiere Pro, DaVinci Resolve et Final Cut Pro, sans synchronisation manuelle au clap.<\/p>\n<p>\u00a0<\/p>\n<p><strong>\u00c9quipements<\/strong><\/p>\n<ul>\n<li>M\u00e9langeur vid\u00e9o Blackmagic ATEM<\/li>\n<li>Kit intercom Eartec<\/li>\n<li>G\u00e9n\u00e9rateur de timecode Tentacle Sync<\/li>\n<li>Cartes m\u00e9moire suppl\u00e9mentaires<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>Points forts<\/strong><\/p>\n<ul>\n<li>6 axes Full Frame Sony \u2013 couverture compl\u00e8te d&#8217;une salle sans angle mort<\/li>\n<li>Timecode BNC sur cinq bo\u00eetiers \u2013 synchronisation automatique au montage<\/li>\n<li>4K UHD jusqu&#8217;\u00e0 120 fps sur les FX6 et la FX3 \u2013 ralentis sans cam\u00e9ra d\u00e9di\u00e9e<\/li>\n<li>6 tr\u00e9pieds inclus, dont 2 Sachtler Flowtech \u00e0 d\u00e9ploiement rapide<\/li>\n<li>13 batteries et 6 alimentations secteur \u2013 tenue sur la journ\u00e9e<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><strong>Pourquoi louer le kit captation 6 cam\u00e9ras chez Maximaloc ?<\/strong><\/p>\n<p>La location du kit captation 6 cam\u00e9ras Sony FX6 chez Maximaloc est disponible en ligne 24h\/24 et 7j\/7.<\/p>\n<p>Il se compl\u00e8te parfaitement avec un m\u00e9langeur Blackmagic ATEM, la s\u00e9rie d&#8217;optiques DZO Vespid Prime et un kit r\u00e9alisateur Teradek Bolt + SmallHD.<\/p>\n<p>C&#8217;est le choix id\u00e9al pour une conf\u00e9rence ou un concert en salle qui demande six axes sans monter une r\u00e9gie compl\u00e8te.<\/p>","protected":false},"excerpt":{"rendered":"<p>Configuration : 6 cam\u00e9ras Sony Full Frame \u2013 3\u00d7 FX6, 2\u00d7 FX9, 1\u00d7 FX3<\/p>\n<p>Vid\u00e9o : 4K DCI 60p XAVC-I 4:2:2 10 bit \u2013 4K UHD 120 fps sur FX6 et FX3<\/p>\n<p>Optiques : zooms motoris\u00e9s 28-135 mm F4 G OSS sur cinq des six axes<\/p>\n<p>Complet : 6 tr\u00e9pieds, 5 micros R\u00f8de, 13 batteries et cartes pour 2 h 30 en 4K<\/p>","protected":false},"featured_media":18831,"template":"","meta":[],"product_cat":[1386],"product_tag":[161,202,197,160,165,162,163,164,198,200,169,168,167,195,201],"class_list":{"0":"post-14874","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-options","7":"product_tag-422-10-bits","8":"product_tag-cameras","9":"product_tag-full-frame-24x36","10":"product_tag-420-8-bits","11":"product_tag-5k-60p","12":"product_tag-4k","13":"product_tag-4k-120p","14":"product_tag-4k-60p","15":"product_tag-full-hd","16":"product_tag-raw-externe","17":"product_tag-fhd-240p","18":"product_tag-fhd-180p","19":"product_tag-fhd-120p","20":"product_tag-avec-autofocus","21":"product_tag-sony-e","23":"first","24":"instock","25":"taxable","26":"shipping-taxable","27":"purchasable","28":"product-type-rentable"},"yoast_head":"<!-- This site is optimized with 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