{"id":3869,"date":"2024-03-21T13:40:56","date_gmt":"2024-03-21T12:40:56","guid":{"rendered":"https:\/\/maximaloc.com\/produit\/kit-sony-a7siii\/"},"modified":"2026-06-10T18:54:06","modified_gmt":"2026-06-10T16:54:06","slug":"sony-a7siii","status":"publish","type":"product","link":"https:\/\/maximaloc.com\/en\/product\/sony-a7siii\/","title":{"rendered":"SONY A7SIII"},"content":{"rendered":"

Location Sony A7S III \u00e0 Paris \u2013 Cam\u00e9ra hybride Full Frame vid\u00e9o & low-light | Maximaloc<\/strong><\/u><\/p>\n

Le Sony A7S III (\u00e9galement recherch\u00e9 comme Sony A7SIII ou A7S3) est un appareil hybride Full Frame con\u00e7u principalement pour la vid\u00e9o et les conditions de faible luminosit\u00e9. Disponible en location chez Maximaloc, il s’impose comme le bo\u00eetier de r\u00e9f\u00e9rence pour les tournages n\u00e9cessitant une sensibilit\u00e9 extr\u00eame et une qualit\u00e9 vid\u00e9o cin\u00e9ma.<\/p>\n

Successeur du Sony A7S II, il int\u00e8gre un nouveau capteur BSI CMOS 12,1 MP qui repousse les limites du bruit num\u00e9rique tout en offrant une vid\u00e9o 4K 120p en interne.<\/p>\n

\u00a0<\/p>\n

Vid\u00e9o : performances de r\u00e9f\u00e9rence<\/strong><\/u><\/u><\/p>\n

Le Sony A7S III est pens\u00e9 avant tout pour la vid\u00e9o professionnelle<\/p>\n

\u00a0<\/p>\n

Vid\u00e9o<\/strong><\/p>\n

Capteur Full Frame 12,1 MP BSI CMOS<\/p>\n

4K jusqu’\u00e0 120p sans crop<\/p>\n

Enregistrement 4:2:2 10 bits en interne<\/p>\n

Profils S-Log3, S-Cinetone<\/p>\n

Sortie HDMI RAW 16 bits non compress\u00e9<\/p>\n

Slow Motion 4K 120p \/ FHD 240p<\/p>\n

\u00a0<\/p>\n

Photo<\/strong><\/p>\n

12,1 MP (capteur optimis\u00e9 vid\u00e9o, non destin\u00e9 \u00e0 la haute r\u00e9solution photo)<\/p>\n

Prise de vue en RAW<\/p>\n

Rafale jusqu’\u00e0 10 images\/seconde<\/p>\n

Id\u00e9al comme bo\u00eetier secondaire photo en conditions extr\u00eames de lumi\u00e8re<\/p>\n

\u00a0<\/p>\n

Un bo\u00eetier adapt\u00e9 aux productions vid\u00e9o exigeantes<\/strong><\/u><\/p>\n

Fiction, documentaire, clip, corporate, \u00e9v\u00e9nementiel, reportage faible lumi\u00e8re.<\/p>\n

\u00a0<\/p>\n

Enregistrement, d\u00e9bit et encodage<\/strong><\/u><\/p>\n

\u00a0<\/p>\n

Vid\u00e9o interne<\/strong><\/p>\n

Codecs XAVC S, XAVC HS (H.265) et XAVC S-I (All-Intra)<\/p>\n

D\u00e9bit max : 600 Mbps en All-Intra<\/p>\n

XAVC S-I : qualit\u00e9 maximale, montage fluide<\/p>\n

XAVC HS : compression efficace H.265, fichiers l\u00e9gers<\/p>\n

\u00a0<\/p>\n

Sortie externe<\/strong><\/p>\n

HDMI RAW 16 bits non compress\u00e9 (vers enregistreur externe Atomos, Ninja V)<\/p>\n

Qualit\u00e9 \u00e9quivalente aux signaux RAW cin\u00e9ma (RED, ARRI)<\/p>\n

\u00a0<\/p>\n

Sensibilit\u00e9 et basse lumi\u00e8re<\/strong><\/u><\/p>\n

Dual Native ISO 640 \/ 12 800<\/p>\n

ISO \u00e9tendu jusqu’\u00e0 409 600<\/p>\n

Bruit num\u00e9rique quasi inexistant jusqu’\u00e0 12 800 ISO<\/p>\n

R\u00e9f\u00e9rence absolue pour les tournages nuit, concert, ambiance faible lumi\u00e8re<\/p>\n

\u00a0<\/p>\n

Autofocus<\/strong><\/u><\/p>\n

Autofocus hybride avec tracking<\/p>\n

D\u00e9tection des yeux humains, animaux et oiseaux<\/p>\n

Suivi continu pr\u00e9cis en photo et vid\u00e9o<\/p>\n

Tr\u00e8s fiable pour le reportage et les sujets en mouvement<\/p>\n

\u00a0<\/p>\n

Monture et compatibilit\u00e9<\/strong><\/u><\/p>\n

Monture Sony E<\/p>\n

Compatibilit\u00e9 Optiques<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Full Frame (FE)<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 APS-C (Mode Super 35)<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Large parc optique disponible en location chez Maximaloc<\/p>\n

\u00a0<\/p>\n

Limites \u00e0 conna\u00eetre<\/strong><\/u><\/p>\n

R\u00e9solution photo limit\u00e9e (12,1 MP) \u2013 non adapt\u00e9 \u00e0 la haute r\u00e9solution<\/p>\n

Capteur sans ND interne (contrairement \u00e0 FX6)<\/p>\n

Prix de location plus \u00e9lev\u00e9 que la A7IV<\/p>\n

Moins polyvalent en photo que la A7IV ou A7RV<\/p>\n

Chauffe possible en enregistrement 4K 120p prolong\u00e9<\/p>\n

\u00a0<\/p>\n

Ergonomie et usages<\/strong><\/u><\/p>\n

Compact et l\u00e9ger, le Sony A7S III est adapt\u00e9 \u00e0 :<\/p>\n

Vid\u00e9o corporate et institutionnelle<\/p>\n

Clip musical<\/p>\n

Documentaire et reportage<\/p>\n

Captations live et concerts<\/p>\n

Tournages en faible lumi\u00e8re<\/p>\n

Fiction l\u00e9g\u00e8re<\/p>\n

\u00a0<\/p>\n

\u00c9quipements<\/strong><\/u><\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00c9cran orientable tactile<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Viseur \u00e9lectronique haute r\u00e9solution (9,44 Mdots)<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Double slot CFexpress Type A \/ SD (UHS-II)<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prise Audio In\/Out Mini Jack 3,5 mm<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Connectique Vid\u00e9o HDMI full-size (type A)<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stabilisation IBIS 5,5 stops<\/p>\n

\u00a0<\/p>\n

Post-production<\/strong><\/u><\/p>\n

Vid\u00e9o 10 bits 4:2:2 en interne<\/p>\n

RAW 16 bits via HDMI<\/p>\n

Profils S-Log3 \/ S-Cinetone<\/p>\n

Dual Native ISO : bruit minimal m\u00eame en haute sensibilit\u00e9<\/p>\n

Permet un travail avanc\u00e9 en \u00e9talonnage et colorim\u00e9trie.<\/p>\n

\u00a0<\/p>\n

Points forts<\/strong><\/u><\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Capteur Full Frame 12,1 MP BSI CMOS ultra-sensible<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dual Native ISO 640 \/ 12 800 \u2013 r\u00e9f\u00e9rence low-light<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 4K 120p sans crop en 10 bits 4:2:2<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Slow Motion 4K 120p \/ FHD 240p<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sortie HDMI RAW 16 bits non compress\u00e9<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stabilisation IBIS 5,5 stops<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Autofocus tracking yeux humains, animaux, oiseaux<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 600 Mbps All-Intra (XAVC S-I)<\/p>\n

\u2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00c9cran LCD articul\u00e9 tactile<\/p>\n

\u00a0<\/p>\n

Pourquoi louer le Sony A7S III chez Maximaloc ?<\/p>\n

La location du Sony A7S III \/ A7SIII \/ A7S3 chez Maximaloc est disponible en ligne 24h\/24 et 7j\/7.
Une large gamme d’objectifs photo, vid\u00e9o et cin\u00e9ma sont disponibles en monture Sony E.<\/p>\n

Id\u00e9al pour les productions n\u00e9cessitant une qualit\u00e9 vid\u00e9o cin\u00e9ma dans un format compact, notamment en conditions de faible luminosit\u00e9.<\/p>","protected":false},"excerpt":{"rendered":"

12,1 MP – Full Frame<\/p>\n

Vid\u00e9o : 4K 422 10 bit 120p\u00a0<\/p>\n

Slow Motion : HD 240p\u00a0<\/p>\n

Sortie : 4K Raw 16 bit<\/p>","protected":false},"featured_media":5839,"template":"","meta":[],"product_cat":[191],"product_tag":[161,197,194,199,160,162,163,164,198,200,169,168,167,195,196,201],"class_list":{"0":"post-3869","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-sony-marque","7":"product_tag-422-10-bits","8":"product_tag-full-frame-24x36","9":"product_tag-420-10-bits","10":"product_tag-hybride-dslr","11":"product_tag-420-8-bits","12":"product_tag-4k","13":"product_tag-4k-120p","14":"product_tag-4k-60p","15":"product_tag-full-hd","16":"product_tag-raw-externe","17":"product_tag-fhd-240p","18":"product_tag-fhd-180p","19":"product_tag-fhd-120p","20":"product_tag-avec-autofocus","21":"product_tag-capteur-stabilise","22":"product_tag-sony-e","24":"first","25":"instock","26":"taxable","27":"shipping-taxable","28":"purchasable","29":"product-type-rentable"},"yoast_head":"\nSONY A7SIII - Maximaloc<\/title>\n<meta name=\"robots\" content=\"noindex, nofollow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SONY A7SIII - 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